What is the meaning of Outcome? Concept and Definition of Outcome

Definition, Concept, Meaning, What is Outcome

Concepto de Desenlace

Concept of outcome

The word dénouement is employed so extended in our language for the end, the conclusion of a fact, event, a work of theatre, a story, among other alternatives.
In dramatic works written and those represented in the theatre is where most will find us with this concept.
To clearly identify it, note that it is located behind that set of facts that remain at the climax of a work and as such stand as the conclusion of the story. At this point of the piece is in which resolved the problems and situations that lived along the same characters. Case is that the outcome will always be the final scene of a work.
In a police work, the outcome will be that they will find those responsible for a criminal act or a murder case doubts are cleared. I.e. the outcome it always clarifies and resolves everything. Viewers, readers, since they start the reading of a work or sit in the seat to watch a theatrical piece waiting eagerly for the outcome, insofar as possible, it is often time to live it with emotion and adrenaline.
Moreover, the outcomes of the theatrical works must have the following conditions: be necessary, that is, not be the product of chance; be complete, i.e., all the characters must resolve their stories; be quick and easy.
If we get specifically into the etymology of the word, it referred to undo the knot and as we know, just knot is called a central part of a story in which the problems of the characters, the situations of these become complex and intrigue proliferate. All presented knots then, in the outcome will unleash.
The most popular synonyms of this term, without a doubt, among of final, which just involves the closure of a situation. Meanwhile, the word that is at odds is the home, indicating the beginning, the beginning of any issue or fact.

Definition and what is outcome

An outcome is a series of events that follow the climax of a dramatic or narrative work, and which serves as a final or conclusion of the piece. In the outcome, to resolve the conflicts of the character (or characters).
Approach, knot, and denouement, in literature
The outcome is the final scene of a piece of theatre, and where the solution of the problem is known. Obviously also presents the final part of the action, a literary work, both in an epic, or a novel. It is the end of intrigue, the culmination of the investigation, the outcome of the story. In the theatre, the outcome is the moment in which all the problems previously created «clarifies» and «solved».
The ending word literally means "undo the loop" or "undo the knot", and knot is called a central part of a story, more where situations are complex, where obstacles multiply, where the interests at stake are threatened and committed, where personal interests springs are tensioned and intrigues threads are mixed. The outcome unravels all threads, see or ends up discovering all the problems, meets the excited curiosity of the reader or spectator, and complete the overview of the work. The outcome is the latest response to this series of issues and questions, which ultimately are all the interest of a reading or a show.
The outcome as the case shows the death or the misfortunes of the main hero, his definitive and undisputed triumph, shows the culmination and completion of a work either or the concretization of a catastrophe, shows either one generously rewarded virtue and innocence even more oppressed and unjustly treated. The outcome is the hour of reality or ultimate truth, and the moment in which all the sympathies of the reader are satisfied or rather undone.
Be happy or extremely unfortunate and unfair, the outcome simplifies approaches initial, bringing an end or a solution.
In the classical theater, the outcome must meet three basic requirements:
• Must be necessary, it is to say, should not be result of random, or result of a deus ex machina;
• Must be full, that is, the fate of all the characters should be raised;
• Must be quick and simple, or this part of the work should be located closer to the end of the piece, in short, just before the epilogue.
In the comedy either in the tragi-comedy, the outcome is happy, while in the tragedy almost always it is or should be miserable and catastrophic. According to Aristotle, poetics differentiates various types of outcomes: the unhappy, happy, and mixed, and some and some have been recommended by different authors, genres and themes involved.
The Greeks thought that happy outcomes were reserved to comedy, and that unfortunate outcomes agreed almost exclusively to the tragedy, and in where the developments and Fables there insert, did anything scare and chase away a little more, or at times calm and relaxing. However, several Greek tragic obras-cumbre, as Philoctète, the traquinias, Ajax, Iphigénie en Aulide, etc., are rather happy outcomes, and according to Aristotle, this so was by condescension of the poets to the weaknesses of the spectators, eager to end the tensions of the work with a most quiet finish and with softer emotions, even if it is to succeed in betraying the primary objective of the tragedy.
Frequently more or less happy outcomes were achieved, both in the theatre and in the epic, by way of an explicit intervention of the gods, that thus they diverted their natural course of events, and thus removing the poet of the muddle that was as a result of the development of the action. It is what is called "Deus ex machina", between comfortable and rather difficult, upon which Horacio wisely advised not to overuse.