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What is the meaning of Cherub? Concept and Definition of Cherub

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Definition of Cherub: Their meanings, concepts and importance

Definition: Cherub and its importance

1. In theology, each of the celestial spirits that form the second choir of the Supreme hierarchy of angelica, and which are characterized by the fullness of science with that contemplate the divine beauty: the Cherubim are the servants and messengers of God.
2. [For expansion] pictorial representation of these spirits as winged children: sone two Cherubim me climbing a fluffy cloud.
3 [Figurative usage] person of great beauty (especially a young child): look at that baby so cute, if it looks like a Cherub!; where will I find a cherub that I want?

Synonyms
Cherub, seraph, Cherub, angel, beautiful, beautiful.

Antonyms
Demon, Devil, soulless, ugly.

(1)[Religion] Cherub.

Derived from the Hebrew kerub ' next, Hero ', this term refers to a winged and celestial creatures that, in the Christian world, is called angel; specifically, the Cherub is the second in the celestial hierarchy, only below the archangels. In primitive angelology, the difference between the Cherubim and Angels was established on the basis of its shape, which was for second anthropomorphic and Zoomorphic for the first. It is very possible that both the Zoomorphic root of Cherubim and the etymological origin of the word came from the Mesopotamian world, where archaeological remains of small gods winged, used as decorations in the furniture of temples, called in Akkadian kuribu, whose meaning was 'the winged spirit blesses' have been found.

The Cherubim were described in numerous passages of the Old Testament: already in own Genesis (III, 24) refers les as the creatures who by mandate of Yahweh, kept the door of paradise, inaugurating a series of descriptions that always associate them with lavish God's transport, as it appears in the Psalms (18th, 11), riding on them or being transported by them. Identical way, the most effective representation of this double essence, as guardians and as divine transportation, which counted in the Hebrew world, was sunset fully manifest in the most important sacred object of the Jews: the Ark of the Covenant (see Ark). In it, two golden statues with the image of two Cherubim protected upper guardian of the Ark, and the empty space represented by the edge of their wings was, traditionally, the place into which Yahweh would communicate their mandates to the priestly rabbis. Somewhat later are profuse and detailed descriptions which makes the book of Ezekiel the Cherubim: "and on the heads of such creatures had something that looked like a breathtaking expansion of Sparks, extended round their heads; / under its neck, its wings were straight, beautiful growing side by side. "Each had two wings covering him [...] / and I got to hear the sound of their wings, a sound like the water in motion, as the of the Almighty Yahweh, the sound of a tumult which only ceased when they detained her whipped" (Ezekiel, I, 22-24). The same Prophet described that the heads of the Cherubim seemed the testa of a bull, so it is possible that Zoomorphic assimilation related to the traditional symbol of male fertility in the Mediterranean spirituality.

The image of the Cherub became very popular in the Hebrew art; not in vain, two colossal statues of more than four meters of height and width presided over the interior entrance to Solomon's temple, which also had, in the mercy seat or Holy of Holies, with several golden statues of winged deities. It opened, in artistic terms, the splendid union of Cherubim with sculpture of all civilizations, being one of the most heavily represented in all sacred art figures. Cherubim were also swelling the ranks of Christian angelology, where stripped them of being a Zoomorphic (overlapping, incidentally, the pagan myth of male fertility) and also Islam, where, as in the case of Yahweh, the Cherubim symbolize the perpetual Alliance between believers and Allah. Naturally, the Islamic prohibition of religious iconographic representations made that only the Quran describes the Cherubim, but in the rest of doctrines have been the subject of many pictorial and sculptural works.

Concept: Cherub and what is

Cherub is a term that derives from the latin cherŭbin, but whose most distant etymological background found in the Hebrew language. It is a concept that is used in the field of religion to name a certain kind of celestial spirits.
The Cherubim are angels that, within the so-called angelic choirs, compose the second Choir (the first is composed of Seraphim) according to Catholicism. Represented as winged children, Cherubim protect the divine glory.
Theology indicates that those who see the cherubs are those who are in a State of elevation, with the sky at your fingertips. According to what emerges from the Bible, the Cherubim are intended to praise God and remember the humanity the divine glory.
Cherubim may also gather and serve as a means of displacement since moving as "lightning", according to the Holy Scriptures.
The colloquial language, uses the notion of Cherub to name a young individual and great beauty. For example: "women, proud, walked with its Cherub for showing off to the neighbors", "the Cherub stole sighs all girls of the village, who dreamed of your company".
Cherub, on the other hand, is the name of an Argentine brand of cleaning products. SOAP powder for washing clothes, fabric softeners, detergents, lavandinas and disinfectants carry this trade name.
Mexican artist Edgar Clement, lastly, titled as "Monster and other stories" to one of his literary works.

Meaning: Cherub and their uses

Definition: Cherub (Cherubim in Hebrew according to the Kabbalists) are a group of angels who they associated especially with the sephira, "vigilant". Genesis placed Cherubim to save the lost Eden, and the old testament refers many times to them as two figures of gold winged; in the Sanctum Sanctorum of the Temple of Solomon were colossal images of the same class of angels. Ezekiel describes them in poetic language. Each Cherub appears to have been a figure composed of four faces (man, Eagle, lion and Bull), and without a doubt they were winged. Many other nations have shown similar figures as symbols of the deity; for example, the Egyptians, in their images of Serapis, as described by Macrobius in his Saturnalia; the Greeks had three heads Hecate, and Latinos also had pictures of Diana with three faces, as reported by Ovid in his ECCE PROCUL TERNIS HECATE VARIATA FIGURIS. Virgil also describes in the fourth book of the Aeneid. Porfirio and Eusebio write much of Proserpina. The vandals had a divinity with many heads, to which they gave the name of Triglaf. The ancient Germanic races had the idol Rodigast with human body and head of Bull, Eagle and man. The Persians had some figures of Mithras with body of man, head of lion and four wings. Add to this the chimeras, Sphinxes from Egypt, Moloch and Astarte of the Syrians.

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