Biography of Ezio Bosso

September 13, 1971 Ezio Bosso was born on 13 September 1971 in Turin. Approaches to music from an early age, even at the age of four, with the through her brother, musician, and her great aunt, who plays the piano. After having started just twelve years to compose music in 1985 enters, at fourteen, under the Statute, which remained for three years. Next, choose to pursue classical music and set aside, then, the ska-mod revival. Ezio Bosso began his career as a soloist in France still a minor, then turn the orchestras throughout Europe.

Gli anni ' 90

In the 1990s, still very young, crush the most prestigious international stages, from the Royal Festival Hall at the Sydney Opera House, Southbank Centre at the Palacio de Bellas Artes of Mexico City, from Carnegie Hall to Teatro Colón in Buenos Aires, from the Houston Symphony at the Auditorium Parco della Musica in Rome, not forgetting, of course, the Teatro Regio in his hometown, Turin. To the music of "La care Theater room of Emily", "Hearts", of "A score for Amleth", "a Midsummer night's dream" and "Hamlet" study, with Valter Malosti; between 1998 and 2001, instead, works in "the confession", with Antonio Catania, "Qoeleth and the song of songs", with David Riondino, in "Moi je s addresse" and "Expect that sympathetic" with Rocco Papaleo. With the same actor Lucan had already worked for the film "Cecchi Gori Cecchi Gori", which however never gets deployed.

The years 2000

In 2001 Ezio Bosso is responsible for the soundtrack of the movie "Rebels by chance", while two years later realizes the "Io non ho paura" directed by Gabriele Salvatores, starring Diego Abatantuono, which received a nomination for the Academy Awards. Between 2004 and 2005 he also works for the cinema with "Rosso come il cielo" and "Quo Vadis Baby", while between 2006 and 2007 the music by "The Moon on the Lake" and "Il dolce e l'amaro".

The years 2010 and Ezio Bosso

In 2011 Ezio Bosso turns out to be sick: what hit him is a kind of neurodegenerative disease whose effects are similar to those of amyotrophic lateral sclerosis (ALS), a neurological disease that, over time, affect his ability to walk, to move freely and to express themselves verbally. Shortly after, he is diagnosed with a brain tumor: for he is a critical hit, to the extent that goes through your mind also the possibility to take his own life. Encouraged by his doctor, musician piemontese abandons those terrible intentions, you do strength and decide to tackle health problems, while fearing an inability to remain self-sufficient: because of the therapies lose forty pounds, and it is at that point that is forced to reveal his illness publicly (at first had chosen not to say anything to anyone). In 2013, is contacted by Mario Brunello, famous cellist recommended by Gidon Kremer, who asks him to meet him: the two become a beautiful friendship that translates into an important professional collaboration in a cello-piano. The following year, Bosso, he head of the London Symphony Orchestra with his "Fantasia for violin and Orchestra".
In 2015, however, his concert at the Ikon Gallery, as part of the work "3 Drawing Rooms" of David Tremlett, his close friend, is defined by Penelope Curtis, Director of "Tate Britain", and from "The Arts News Paper" the artistic event of the year in Britain. In the same year, Ezio Bosso is nominated for Academy Awards for the music of "the invisible boy", a film for which he returned to partner with Gabriele Salvatores, and is called by the Alma Mater University of Bologna to produce and direct a composition focused on Magna Carta of the University. In addition, he recorded his first official solo album, marketed for the October 30 Aegean Music with the title "The 12th Room", the twelfth stanza. In February 2016 Ezio Bosso is one of the guests of honour at the Sanremo Music Festival, conducted by Carlo Conti: his performance and his interview onstage at the Ariston are among the most moving moments of the event broadcast by Raiuno. The day after it hosted is appreciated also for a tweet ironic wrote in response to Spinoza, famous satire collective that publishes a joke, rather criticized, which says that a disabled person can do her hair like an idiot: Boxwood replica ironically about their disease and stressing that his hair strange is because combing her hair alone.
Article contributed by the team of collaborators.