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Pausanias › Who Was

Definition and Origins

by Donald L. Wasson
published on 06 September 2017
Pausanias' Description of Greece (Biblioteca Medicea Laurenziana)
Pausanias was a Greek author, historian, and geographer of the 2nd century CE who journeyed extensively throughout Greece, chronicling these travels in his Periegesis Hellados or Description of Greece. His ten volumes of observations are treasured by both historians and archaeologists for their in-depth depiction of ancient Greece. He was far more than just a geographer; his travelogues included not only a description of an area's monuments, architecture and works of art but also its history, including the daily life of its people, ceremonial rites, customs, legends and folklore. Pausanias' work influenced the development of classical archaeology more so than any other text.

LIFE

Although little is known of Pausanias' early life, and his birth year is hard to pin down (speculations range between 110 CE, 115 CE, and 125 CE), it appears he was born in Magnesia ad Sipylum, a city in the province of Lydia located in western Asia Minor. Because of his ability to travel so extensively, many assume he was well-educated and from a privileged class. There is some disagreement over when he began his Description of Greece. Some believe it may have been begun as early as 143 CE (which would have made him less than 20 years old) while others point to the more believable 155 CE. However, Pausanias seems to have ended his writing before 180 CE since no event after 176 CE is mentioned, and his death is generally placed in 180 CE.

PAUSANIAS WAS MAINLY CONCERNED WITH ALL THINGS UNIQUE ABOUT AN AREA - MONUMENTS, CUSTOMS & FOLKLORE.

While there may be some disagreement over when he began his travels, there is no doubt that his youth was spent during the reign of the Roman emperor Hadrian (117 CE – 138 CE) who was an admirer of all things Greek - especially the ancient Greek monuments of the Archaic and Classical periods.
The emperor's nurturing of a revival of Greek culture would have a profound effect on the young Pausanias (and with him many others); instead of focusing on events from his own time, Pausanias was drawn to the monuments and stories from the heyday of the independent Greek city-states.

DESCRIPTION OF GREECE

Before writing his Description of Greece, which he approached geographically, Pausanias toured the Mediterranean - Asia Minor, Syria, Palestine, Egypt, and even Italy, studying its people and their customs. Oddly, his travelogue does not cover all of Greece, concentrating only on a sizeable portion of its central and southern parts - primarily the Peloponnese, omitting Aetolia and the islands. His ten volumes comprise sections on the city-states of Attica (including Athens ), Corinth, Argolid, Laconia, Messenia, Elis, Archaea, Arcadia (including Olympia ), Boeotia, Phocis (including Delphi ). Pausanias was mainly concerned with all things unique about an area - monuments, customs, and folklore - and because of his great interest in the religious side of things, like temples and sanctuaries, to some readers his Description might appear more like a 'pilgrimage' than a travelogue. Typical of his observations with respect to folklore are his comments concerning a statue of Apollo in Athens:
There is further a sanctuary of Apollo surnamed Delphinius. The story has it that when the temple was finished with the exception of the roof Theseus arrived in the city, a stranger as yet to everybody. When he came to the temple of the Delphinian, wearing a tunic that reached to his feet and with his hair neatly plaited, those who were building the roof mockingly inquired what a marriageable virgin was doing wandering about by herself. (1.19.1)
Temple of Hera, Olympia

Temple of Hera, Olympia

Pausanias showed educated Greek-speakers who lived under Roman rule what was important about Greece, and he was also quick to give advice to his readers. When speaking of the Corycian Cave, for instance, he cautioned, “The ascent to the Corycian cave is easier for an active walker than it is for mules or horses” (10.32.2). It is Pausanias' attention to detail, however, which makes him such a treasure for archaeologists. This can be seen, among others, when he describes objects others may have omitted, such as in this passage where he comments on Athens and its people:
In the Athenian market-place among the objects not generally known is an altar to Mercy, of all divinities the most useful in the life of mortals and in the vicissitudes of fortune, but honored by the Athenians alone among the Greeks. And they are conspicuous not only for their humanity but also for their devotion to religion. (1.17.1)

RELIABILITY


PAUSANIAS IGNORED ANY MENTION OF BUILDINGS ERECTED BY ROMANS OR WITH ROMAN MONEY, IN AN ATTEMPT TO RE-CREATE AN IMAGE OF A ROME -FREE GREECE.

Considering his extensive travels to the places he wished to discuss, and extensive studies of his chosen topics, Pausanias is generally seen as a valuable eyewitness when it comes to the status-quo of his own time. The information he gives regarding sites and monuments is certainly easily verifiable, as they were and are pretty accessible for visitors. For his revisiting of old myths and customs of areas, Pausanias would have had to rely on his research (and thus, on other people supplying this information), so his accuracy here would depend on his sources, but overall his interpretations have stood the test of time.Overall, considering his invaluable status as an archaeological source, Pausanias appears to be fairly reliable. However, it should be noted that Pausanias made a strict selection of what he included in his Description, only including the sites and monuments he deemed to be the most noteworthy, which, for him, often meant leaning more towards Greece's heyday and the religious side of things than to his own time.
Moreover, Pausanias himself was, like anyone else, coloured by his upbringing and the political and cultural context he grew up in: he was a Greek, while Greece was under Roman rule. Long before Pausanias' birth, Rome had conquered Greece in the Macedonian Wars. And, while the Romans loved all things Greece, even using Greek tutors for their children and studying philosophy and rhetoric in Athens, many Greeks resented their presence. Historian Mary Beard in her book SPQR stated that the Greek author and orator Publius Aelius Aristides praised Roman rule in a speech given before the Emperor Antonius Pius claiming that Rome had surpassed all previous empires bringing peace and prosperity to the whole world. According to Beard, Pausanias, however, gave Rome a different assessment; he ignored any mention of buildings erected by Romans or with Roman money, in an attempt to turn back the clock and re-create an image of a Rome-free Greece. So, however extensive his studies may have been, his writings include an obvious anti-Roman attitude, which must be taken into account when using the work as a source.
Pausanias' Description of Greece Map

Pausanias' Description of Greece Map

The exception to the anti-Roman rule in his work is when Pausanias acknowledges the contributions of the Roman emperor Hadrian (who happened to love Greece):
Before the entrance to the sanctuary of Olympian Zeus – Hadrian the Roman emperor dedicated the temple and the statue, one worth seeing, which in size exceeds all other statues save the colossi at Rhodes and Rome ….(1.18.6)
Later, he said that Hadrian built other buildings for the Athenians - a temple for Hera and Zeus as well as "a hundred pillars of Phrygian marble" (1.18.9).

LEGACY

Although little is known of his life aside from his writings, Pausanias' work has ended up influencing the development of classical archaeology to a larger degree than any other text. His detailed descriptions give his readers an insight into a Greece whose ancient monuments are either long gone or have fallen into various states of ruin. As such, Pausanias helps illustrate the complexity of the Ancient Greek world.

Saguntum › Antique Origins

Definition and Origins

by Mark Cartwright
published on 05 September 2016
Acropolis & Theatre of Saguntum ()
Saguntum (modern Sagunto), located near Valencia in Spain, was an Iberian, and then Roman, settlement. The town's most dramatic moment in history came in the late 3rd century BCE when it was attacked by Hannibal, an act which famously sparked off the Second Punic War between Rome and Carthage. In the early imperial period, Saguntum prospered once again, expanded and received many Roman architectural improvements. Remains of the Roman forum can be visited within the impressive medieval fortifications of the acropolis, and the restored 1st-century CE theatre still holds regular concert and theatre performances.

HISTORICAL OVERVIEW

Saguntum, on the coast of southern Spain, was first settled by the Edetani, a local Iberian tribe, in the 6th century BCE, although the area had been populated since the Bronze Age. The small settlement, which was called Arse, was concentrated on the western part of the acropolis, and elements of its wall and some houses still survive. Arse prospered due to its location controlling access to inland trade routes and rich agricultural lands and minted its own bronze and silver coinage, which carried the town's name on the design.

IN THE SECOND PUNIC WAR SAGUNTUM BECAME THE PRETEXT FOR ROME TO RID IBERIA OF THE CARTHAGINIANS.

In the late 3rd century BCE Saguntum became disposed towards Rome, but Carthage was another interested power in the area. The Carthaginians had lost the First Punic War and now desperately needed a new source of income to carry on fighting for control of their empire and trade routes. Spain and its silver was the answer. Hamilcar Barca was dispatched with an army and soon controlled a large area of Iberia. With the Treaty of Ebro (226 BCE), the two powers then agreed on a line of separation between their two spheres of influence, and Saguntum was right on it.
In 219 BCE, matters came to a head when Hannibal besieged the city knowing full well the Romans would be forced to respond, especially after the Saguntians called for Roman help. This they did by demanding Hannibal be handed over for suitable punishment. The Carthaginian government, which had actually backed the siege, understandably declined and Rome declared war in March 218 BCE even though Saguntum was not officially an ally. The town became the pretext for Rome to rid Iberia of the Carthaginians. The Second Punic War (218 – 201 BCE) was underway.
Iberian Bull Sculpture

Iberian Bull Sculpture

Saguntum resisted the siege valiantly behind its impressive fortifications, even wounding Hannibal with one of their famous spears which they drenched in flaming pitch and hurled down on their attackers. After eight months the citizens finally gave up hope, though, and committed mass suicide by setting fire to the town. Saguntum fell to the Carthaginians. While Hannibal moved off into Italy and won spectacular victories there, Saguntum was retaken by a Roman force led by P. Cornelius Scipioand Gn. Cornelius Scipio Calvus in 212 BCE. Following their deaths in a defeat to Carthaginian forces in the Tader valley in 211 BCE Scipio Africanus the Elder was charged with clearing Spain of the enemy, a feat he achieved by 206 BCE.
Sertorius Quintus occupied Saguntum as part of his conquest of southern Spain during the turbulent in-fighting which beset Rome in the 1st century BCE, but he was removed by Q. Caecilius Metellus Pius and Pompey in 75 BCE. During the reign of Augustus (27 BCE – 14 CE) Saguntum was made a municipium, and a forum was built on the acropolis. Saguntum continued to thrive due to its location on the Via Augusta and as a wine producer. The latter fact is attested by ancient writers' descriptions of local wine cups and surviving stamped amphorae. Consequently, the town spread to cover over 19 hectares and benefitted from a large theatre in the reign of Tiberius (14 CE - 37 CE), an amphitheatre, and a circus.
Roman Theatre, Saguntum

Roman Theatre, Saguntum

Even though the port continued to function up to the mid-5th century CE, in the imperial period Saguntum was largely overshadowed by Valencia. Saguntum and the surrounding area then suffered from the successive invasions into southern Europe of the Alans, Vandals, and Visigoths. The fortifications of the acropolis were extended and improved upon in the 11th century CE by the Muslim invaders, again during the Renaissance, and once more during the War of Independence. From the medieval period the town was known as Murviedro, derived from murum veterum ('Old Walls').

ARCHITECTURAL HIGHLIGHTS

Roman Forum
The Roman Forum, completed in the early 1st century CE, is located in the central area of the fortified acropolis. The forum had a temple, a curia (Senate house), a basilica for administrators and to house the tribunal, a large rectangular cistern, and a line of small shops ( tabernae ). This area was also the site of the governor's residence in the early Christian period. Today, near the forum, is a small epigraphic museum with examples of Iberian, Latin, and Hebrew inscriptions. Larger finds such as statuary and mosaics are on display in the town's modern archaeological museum.
Inscription Stones, Forum of Saguntum

Inscription Stones, Forum of Saguntum

Roman Theatre
The theatre, built into the northern side of the acropolis (Castle Hill) in the first half of the 1st century CE, originally had a capacity for 4,000 spectators. The stage wall ( scaenae frons ) reached the height of the rear seats and had a wooden roof.Unfortunately, much of the theatre's stone blocks were reused for other buildings over the centuries, but some of the top row seats at either side of the stage survive. Restored today, the theatre continues to hold musical concerts.

LICENSE:

Article based on information obtained from these sources:
with permission from the Website Ancient History Encyclopedia
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