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Coatlicue › Who Was

Definition and Origins

by Mark Cartwright
published on 28 November 2013
Coatlicue (Luidger)
Coatlicue ( pron. Co-at-li-cu-e) or 'Serpent Skirt' was a major deity in the Aztec pantheon and regarded as the earth-mother goddess. Represented as an old woman, she symbolised the antiquity of earth worship and she presents one of the most fearsome figures in Aztec art. Coatlicue was also the patron of childbirth, was associated with warfare, governance and agriculture, and considered the female aspect of the primordial god Ometeotl. The goddess was worshipped in the spring ritual of Tozozontli in the rainy season and in the autumnal hunting festival of Quecholli, when an impersonator of the goddess was sacrificed.
In Aztec mythology Coatlicue was actually a priestess whose job was to maintain the shrine on the top of the legendary sacred mountain Coatepec ('Snake Mountain', also spelt Coatepetl). One day, as she was sweeping, a ball of feathers descended from the heavens and when she tucked it into her belt it miraculously impregnated her. The resulting child was none other than the powerful Aztec god of war Huitzilopochtli. However, Coatlicue's other offspring, her daughter Coyolxauhqui ('Painted with Bells' and perhaps representing the Moon), herself a powerful goddess, and her sons the Centzon Huitznahua ('Four Hundred Huiztnaua', who represented the stars of the southern sky) were outraged at this shameful episode and they stormed Mt. Coatepec with the intention of killing their dishonoured mother. The plot came unstuck, though, when one of the Huiztnaua lost heart and decided to warn the still unborn Huitzilopochtli. Rising to his mother's defence the god sprang from the womb fully-grown and fully-armed as an invincible warrior. In another version the god springs from his mother's severed neck but either way, with his formidable weapon, the xiuhcoatl ('Fire Serpent') which was actually a ray of the sun, the warrior-god swiftly butchered his unruly siblings and chopping up Coyolxauhqui into several large chunks he lobbed the pieces down the mountainside. The myth may also symbolise the daily victory of the Sun (one of Huitzilpochtli's associations) over the Moon and stars.

THE GODDESS FAMOUSLY WARNED THE MEXICA OF THEIR FUTURE DEMISE.

This battle would be commemorated with the setting up of the Templo Mayor at the Aztec capital of Tenochtitlan. The giant pyramid was covered in snake sculpture and even the shadows cast by its steps were designed to reference Mt. Coatepec. A further link to the myth was the large stone placed at the base of the pyramid which has a relief carving of the dismembered Coyolxauhqui.
In another myth involving the goddess she warned the Mexica of their future demise. The Aztec ruler Motecuhzoma II had sent a party of 60 magicians to visit Coatlicue in the mythical ancestral home of the Mexica, Aztlan, in a quest for supreme knowledge. However, overburdened with gifts, these hapless magicians got bogged down in a sand hill and the goddess revealed that the Aztec cities would fall one by one. Then, and only then, would her son Huitzilopochtli return to her side.
Temple Mayor, Tenochtitlan

Temple Mayor, Tenochtitlan

In art Coatlicue is most famously represented in the colossal basalt statue found at Tenochtitlan which now resides in the National Museum of Anthropology in Mexico City. The figure is 3.5 m high, 1.5 m broad and depicts the goddess in her most terrible form with a severed head replaced by two coral snakes, representing flowing blood. She wears a necklace of severed human hands and hearts with a large skull pendant. She also wears her typical skirt of entwined snakes whilst her hands and feet have the large claws which she uses to rip up human corpses before she eats them. This may reference the connection between Coatlicue and the star demons known as the tzitzimime, who the Aztecs believed would devour the human population if the sun should ever fail to rise. At her back her hair hangs down in 13 tresses symbolic of the 13 months and 13 heavens of Aztec religion. Interestingly, the base of the statue is carved with an earth monster, even though it would never be seen. The statue was discovered in 1790 CE but was thought so terrifying that it was immediately reburied.

Tikal › Antique Origins

Definition and Origins

by Mark Cartwright
published on 09 October 2014
Tikal (chensiyuan)
Tikal, located in the north of the Petén region of Guatemala, was a major Maya city which flourished between 300 and 850 CE. The city, known to the Maya themselves as Mutul, is one of the grandest in Mesoamerica. Amongst the first Maya cities to gain prominence in the Early Classic period (250-600 CE), Tikal built its wealth by exploiting its natural resources and geographical location to become a Maya superpower, a status it also enjoyed in the 7th century CE when some of the site's most impressive later monuments were constructed.

HISTORICAL OVERVIEW

Settlement at Tikal began from around 300 BCE and, first clearing away areas in the jungle, monumental architecture was built in the period up to 100 CE. The city's prosperity was based on exploitation of natural resources such as cedar wood, dye from brazil wood, copal resin, flint, and cultivating maize in cleared areas of rainforest and fertile swamp areas. In 378 CE Tikal was invaded by forces from distant Teotihuacan (or at the very least trade contacts were established) with a consequent influence on the cultural practices at Tikal, from clothes to art and architecture. From the late 4th century CE, Tikal was able to further expand its sphere of influence and conquer long-time local rivals Uaxactún and Rio Azul, and the city formed useful alliances with such centres as Kaminaljuyú. At its height the population of Tikal, including the scattered urban settlements around the city, was over 50,000, and it utilized some 200 square kilometres of surrounding territory.

TIKAL'S PROSPERITY WAS BASED ON EXPLOITATION OF NATURAL RESOURCES SUCH AS CEDAR WOOD, DYE FROM BRAZIL WOOD, COPAL RESIN, FLINT, AND CULTIVATING MAIZE.

In the 6th century CE the power of Teotihuacan declined, and other Maya cities, notably Caracol, sought military expansion, defeating Tikal in 562 CE. However, by the 7th century CE Tikal regained its place as an important Maya city, contemporary with such centres as Palenque, Copan, and Tikal's greatest rival Calakmul. The most important ruler in this resurgence was Jasaw Chan K'awiil (r. 682-734 CE) who defeated Calakmul in 695 CE and oversaw a significant rebuilding programme in the city. The most impressive new buildings were the massive pyramids known simply as Temple I and II. Jasaw Chan K'awiil was buried in Temple I on its completion in c. 727 CE. Other pairings of pyramids were built later but most of these remain unexcavated. Along with other Maya cities, Tikal went into gradual decline during the 8th century CE, and by around 900 CE the site had been abandoned. The city, including its towering temples, was eventually reclaimed by the jungle and would only be rediscovered in the mid-19th century CE.
Tikal Map

Tikal Map

LAYOUT & ARCHITECTURE

Tikal consists of nine different plazas and courts connected by causeways and ramps and has, in all, over 3,000 structures.The buildings are spread over some 15 square kilometres, and so the city was relatively low in density. Sometime before 250 CE the Great Plaza and North Acropolis were constructed to follow a north-south axis. This plan was adhered to by later constructions until the 8th century CE Temples I and II were built on an east-west axis. Buildings used limestone blocks around rubble cores with lintels and crossbeams in wood (sapodilla was the preferred choice), often elaborately carved to depict scenes. Besides its imposing temples, the city also had palaces, a market complex, ten reservoirs, two sacred causeways, and a unique triple ballcourt. Another typical Maya feature is the sculpture of stone slabs to depict rulers and record their greatest accomplishments. Such stelae were set up in rows along the sides of the plazas. The oldest example of these stelae in Mesoamerica was discovered at Tikal and dates to 292 CE. It shows a ruler holding in his left hand the Jaguar God of the Underworld, probably a patron god of Tikal.
The earliest structures, such as the North Acropolis, are typically squat with corner apron moldings. These and later architecture at the site all display the usual Maya features of multi-level pyramids, raised platforms, corbel-vaulted chambers, large stucco masks of gods which flank staircases, and a deliberate orientation with the heavens, cardinal directions and, often time itself, as indicated by the 8th century CE pairs of pyramids built every 20-year katun cycle. The large pyramids also had roof-combs which made them even taller, and these may have represented the sacred caves which Mesoamerican people had used as places of worship for millennia. Many tombs within buildings have murals, the earliest dating to c. 50 BCE, typically depicting rulers and gods, no doubt, to emphasise the divine ancestry of the tomb 's occupant.
North Acropolis, Tikal

North Acropolis, Tikal

ARCHITECTURAL HIGHLIGHTS

North Acropolis
The North Acropolis, first built c. 250 BCE and modified many times over the centuries, includes the oldest structures at Tikal.These temples were built on two rectangular platforms, the oldest and largest measures 100 x 80 metres, and used as mausoleums for the early Tikal kings. The most opulent tomb was of Yax Nuun Ayiin, also known as 'Curl Nose', who died in 420 CE and who was buried in all his finery along with nine sacrificial victims and several fine pots of chocolate and maize gruel. Other colourfully named rulers buried in the twelve temples include Moon Zero Bird (accession c. 320 CE), Great Jaguar Paw, Stormy Sky, and Smoking Frog.
Central Acropolis
Facing the Great Plaza, this is the location of Tikal's five-storey royal palace. Similar to the better preserved palace at Palenque, the structure had extensive galleries, benches set along walls, enclosed courtyards, and stucco depictions of captives. The presence of four huge hearths suggests meals were prepared for a large number of resident scribes and administrators. The courtyards would have been used for important ceremonies, including blood-letting and sacrifices.
Mundo Perdido Complex
The Mundo Perdido or 'Lost World' complex is dominated by a huge pyramid, and along one side of the complex is a row of small temples, their exact purpose unknown. The complex has three platforms on its eastern side and a single platform on the western side. Those to the east are aligned with the sunrise at the equinoxes.
Temple I, Tikal

Temple I, Tikal

Temples I, II, & IV
Built in the 8th century CE on a west-east axis and facing each other across the Great Plaza, the Temple I pyramid has the typical nine levels to imitate those of the Maya underworld Xibalba. Temple I is 50 m (164 ft) high and is climbed by a steep 70-degree staircase with steps so narrow they can only be climbed side-footed. Deep within Temple I the Tikal king Jasaw Chan K'awiil was buried, while his wife is a prime candidate for the now missing occupant of the 42-metre high Temple II. The king's tomb, besides the usual precious jade and shell jewelry also contained a large number of incised bones which relate tales from Tikal history. Finally, mention should be made of Temple IV as, at 70 metres high, it is the tallest structure at Tikal and was used as the tomb of King Yax Kin (734-746 CE).

MAP

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